An amazing new project has sprung to life titled “Subway Art History.” The feature in the New York Times breaks it down perfectly:
The pieces might sound like the result of some kind of graffiti-world version of Old-Timers’ Day at Yankee Stadium. But they are actually the works of a newly formed collective of (mostly) former graffiti writers in their 20s and 30s, who have embarked on an unusual citywide campaign to summon 50 or more of the most famous pieces of old-school graffiti out of the history books and back onto the streets. The project, called “Subway Art History,” is unusual not only because the artists are making the pieces with the permission of businesses, schools and other perhaps nostalgic owners of blank vertical space, but also because of the nature of the pieces themselves. They are expressions of homage in a subculture that has almost always been defined by fierce competition, intense striving for originality and a kill-the-elders attitude toward the past.
The first piece (above) from the anonymous collective, known as Slavery, pays homage to old school graffiti artist Blade’s piece “Hand of Doom” from 1980 with”Joan of Arc” at a warehouse along the Gowanus Canal in Brooklyn. Photo of Blade’s 1980 piece after the jump.
Full slide show of some of the pieces can be seen here.
And check out the full New York Times article here.
